ARP@100 Launch Event: The Year of the ARP

At the Electronic Music Education and Preservation Project (EMEAPP), we were proud to launch our yearlong ARP centennial celebration with ARP@100, a landmark event honoring the 100th anniversary of ARP Instruments and the extraordinary legacy of its founder, Alan R. Pearlman.

Drew Raison, EMEAPP’s Executive Director, opens the ARP@100 event

As an engineer and visionary, Pearlman shaped the sound of an era. His company’s creations—the ARP 2600, Odyssey, Pro Soloist, Quadra, and more—defined the tone and texture of modern music. Artists such as Stevie Wonder, Pete Townshend, Herbie Hancock, Joe Zawinul, and Tony Banks relied on these instruments to bring new sonic possibilities to life. ARP synthesizers bridged the worlds of technology and artistry, taking electronic sound from the laboratory to the stage and studio.

Robin Hatch performs on an ARP Quadra and PRO/DGX

For ARP@100, we brought together an extraordinary collection of original ARP instruments, rare prototypes, archival materials, and artist-used gear from our vaults to tell the story of this groundbreaking company. The evening included guest speakers, panel discussions, live performances, and interactive exhibits—all celebrating Pearlman’s spirit of innovation that continues to echo through the music world today.

Dina Pearlman-Ifil, Alan’s daughter and Executive Director of the foundation

More than sixty guests joined us for this special event. Highlights included a live interview with Dina Pearlman, Alan R. Pearlman’s daughter and Executive Director of the Alan R. Pearlman Foundation, who shared her father’s enduring vision for music and technology. We also heard a fascinating presentation from Bruce McLendon, a former ARP employee, who offered rare insights and personal stories from his time at the company.

ARP employee Bruce McLendon recounts working with Alan R. Pearlman

The night’s performances were equally inspiring. Ombient, Robin Hatch, and electronic music pioneer Don Slepian each took the stage, performing entirely on authentic vintage ARP instruments from EMEAPP’s renowned collection. Hearing these instruments played live—just as they were meant to be—was both nostalgic and electrifying.

Ombient performs on an early ARP 2500 modular synthesizer

ARP@100 was more than just a celebration of history; it was the beginning of an ongoing tribute to ARP’s impact on music, engineering, and creativity. Over the coming year, we’ll continue the centennial with additional programs, exhibits, videos, lectures, and performances, all exploring the many ways ARP’s pioneering designs continue to inspire musicians and instrument builders in the 21st century.

Electronic music pioneer Don Slepian, performs on two ARP 2600s, a Soloist, a Pro Soloist, and a Chroma Polaris

For us at EMEAPP, ARP@100 was a reminder of why we do what we do—preserving the past to inspire the future of electronic music.

Alan R. Pearlman Foundation board member Richard Formidoni speaks to the audience via video

To learn more about Alan R. Pearlman’s life and work, visit the website of the Alan R. Pearlman Foundation.

To experience more performances that feature EMEAPP’s amazing ARP collection, click on the links below:

Or for a deep dive into the workings of our ARP Odyssey and Pro Soloist, check out these Sonic Test Drive videos:


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